At its greediest, 'Discloure Day' feels like a stubborn reaction to Instagram filmmaking and godless horror. But the only real disclosure that happens concerns the failure to disclose anything new.

BOTTOM LINE A summery sci-fi thriller, and a close encounter with classic-era Spielberg. "Disclosure Day" begins with a character clutching a backpack full of hard drives, introduces a glowing device of unearthly power,

Spielberg's 'Disclosure Day' explores belief and communication over aliens, excelling when grounded in human connection rather than spectacle, though its familiar extraterrestrial vision struggles against modern sci-fi.

It's an invigorating chase thriller, but where Spielberg once seemed to be leading the culture, he's now following decades of lore and mythology.

War of the Worlds was an obvious and devastating response to the carnage of 9/11, updating the classic novel to a modern-day depiction of a society coming undone in the face of an apocalyptic alien invasion.

Steven Spielberg’s fourth film about alien encounters is “Disclosure Day,” following “ET: The Extra-Terrestrial,” “War of the Worlds,” and “Close Encounters of the Third Kind.” That inspired us to take another look at what Roger Ebert thought about some of the most famous and infamous alien movies,